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NEWkus - Sara and Bara
Wollasch, Sara ; Olivová, Kateřina (referee) ; Klodová, Lenka (advisor)
The bachelor's thesis presents a series of events of the artistic duo NEWkus. Artistic duo NEWkus deals with transformation of relationships and solid definition of the concept of a NEWkus’s body. It copes with the isolation which was caused by the coronavirus pandemic and with the apathy caused by the monotonous lifestyle in an enclosed space with still the same person and the impossibility of meeting within the duo NEWkus. Thanks to our series of events in the home environment, the group is aware of its own existence on a much wider scale, it finds that it is not only two-member, that its structure is more extensive. The series of realized events is built on the border of social and artistic experiment and intimate realism. The whole experience is screened in a single space, as part of a festival called Dny NEWkusu (The NEWkus Days). The space consists of an object inspired by a screen,which inner surface is adapted to the image and needs of both authors..The spectator is thus allowed to meet the story that will be presented from many points of views during the festival and thus provide an opportunity to mingle with the body of NEWkus in real time and space.
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NEWKUS - Bara and Sara
Smékalová, Barbora ; Alster, Darina (referee) ; Klodová, Lenka (advisor)
The diploma thesis consists of a series of events by the art duo NEWkus. The NEWkus art duo deals with the transformation of relationships and the overall definition of the NEWkus body concept. It copes with the isolation caused by the coronavirus pandemic as well as with the apathy caused by the monotonous lifestyle in an enclosed space with the same person and the impossibility of meeting within the NEWkus duo. Thanks to a series of events in the home environment, the group is aware of its own existence on a much wider scale, it finds that it is not only two-member, that its structure is more extensive. The series of realized events is built on the borders of social, artistic experiment and intimate realism. The whole experience is screened in a single space, as part of the NEWkus Days festival. The space is defined by an object inspired by a screen, the internal environment of which is adapted to the image and the needs of both authors. The spectator is thus allowed to meet the story, which will be presented from many angles during the festival and will provide the opportunity to blend with the body of NEWkus in real time and space.
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Tour Guide
Bartoš, David ; Javůrek, Tomáš (referee) ; Klímová, Barbora (advisor)
Thesis exhamines the role and purpose of lie in post-truth age in the life of individual person as well as in the life of sociaty. The action oscillates between performance and happening, through these media author and in the same time tour-guide presents his own and his family and friends lifes.
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The Breaking Down of Black, the Technique of Inconsistent Transfer of Light
Trnková, Barbora ; Ruller, Tomáš (referee) ; Klodová, Lenka (advisor)
Im interested in the topic of praying machine, because I want to analyze aspects of photography and its functions. It's known, that the reality is manipulated by photography. Bud we can also say, that the relationship between reality and photography is neutral in fact, that the manipulation is made by our interpretation of photography. The change of the reality can be realized just in the dialog between photography and reality. Can it be, that the mechanization change into the will? Does it prays praying mill or the buddhistic monk, who rotates the mill? When he believes into it, is it enough? Or is it enough if believes who watch the monk with his mill? ... The computers from he place A are "praying" the prayers from the place B. With Tomáš Javůrek we collaborated with Vladimír Veselý and Radek Lát to create the Game for re-articulation our reality on the base of the revision of our faith.
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Jaromir Soukup
Smékalová, Barbora ; Surůvka, Jiří (referee) ; Kohoutková, Karolína (advisor)
In my final work I deal with the issue of media education, critical thinking. I mainly focus on the phenomenon of Jaromír Soukup and his shows on TV Barrandov and the strategies he uses to manipulate the viewer. In the final stage of the work I put everything into the village environment of Rudná pod Pradědem, whichs inhabitants I perceive as the target group of Jaromír Soukup. I confront them through a social event - a social experiment. Here a performance will be held, the main motive of it will be manipulation strategies, and it will be strongly inspired by the practices of so-called "šmejdi" and directly confronted with shots from JS shows.
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Happening in public space and its influence on public policy. Case: Loaf bathing season in Smíchov.
Patrná, Andrea ; Kokeš, Richard (advisor) ; Kváča, Vladimír (referee)
This bachelor thesis is focused on one of the forms of creative activism in the public space - happening, its ability to change public policy and to highlight problems in society. The main line of this work was to determine the mechanisms and in which stage of the public policy cycle was political process influenced by Happening " Loafbathing season in Smichov". Another goal was to find out how Happening addressed the participants and which subjects were targeted. Theoretical support for the achievement of the objectives of the thesis was the phase model of the public policy cycle, which works with the idea of politics as a system of several partial processes. The objectives of the thesis were achieved by qualitative research under the auspices of a case study, ie intensive investigation of one case. The main source of data in this case was in-depth semi-structured interviews with the four types of actors, which showed in this particular case that the main mechanisms that influenced the public policy process at the stage of public policy implementation were media and The public, both mechanisms interact each other.
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Czechoslovak action art and performance between 1963 and 1989: was the artistic freedom restricted by the State security?
Coverini, Valeria ; Zelená, Alena (advisor) ; Tůma, Oldřich (referee)
Práce zkoumá přístup v omezování svobody umělecké tvorby Státní bezpečnosti v případě československých akčních umělců. Zabývá se obdobím mezi lety 1963 až do tzv. sametové revoluce v roce 1989. Na konkrétních reprezentativních příkladech zkoumá intenzitu a vývoj omezování svobody tvorby ze strany Státní bezpečnosti. Ze sta zkoumaných umělců jsem vybrala ty nejsledovanější Státní policií a po vyhodnocení zúžené skupiny umělců jsem vybrala čtyři umělce, kteří tvoří reprezentativní vzorek zahrnující území Česka i Slovenska, období tvorby a závažnost omezení. Vybranými akčními umělci jsou Eugen Brikcius, Milan Knížák, Alex Mlynárčik a Tomáš Ruller. Ve zvláštní kapitole rozebírám rok 1989, který se svým charakterem liší od předchozích let. Fakt, že byla svoboda tvorby akčních umělců v Českoslovenku omezována je nediskutabilní. Hlavní otázkou výzkumu zůstává, zda se omezování tvůrčí svobody akčních umělců ze strany Státní bezpečnosti lišilo v průběhu 60., 70. a 80. let, případně jestli se lišilo a jak v Česku a na Slovensku. Intenzitu omezování definuji vězněním, omezením cestování, pokutou, žádostí o spolupráci se Státní bezpečností nebo například nemožností získat vzdělání či práci v závislosti na umělecké tvorbě.
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NEWKUS - Bara and Sara
Smékalová, Barbora ; Alster, Darina (referee) ; Klodová, Lenka (advisor)
The diploma thesis consists of a series of events by the art duo NEWkus. The NEWkus art duo deals with the transformation of relationships and the overall definition of the NEWkus body concept. It copes with the isolation caused by the coronavirus pandemic as well as with the apathy caused by the monotonous lifestyle in an enclosed space with the same person and the impossibility of meeting within the NEWkus duo. Thanks to a series of events in the home environment, the group is aware of its own existence on a much wider scale, it finds that it is not only two-member, that its structure is more extensive. The series of realized events is built on the borders of social, artistic experiment and intimate realism. The whole experience is screened in a single space, as part of the NEWkus Days festival. The space is defined by an object inspired by a screen, the internal environment of which is adapted to the image and the needs of both authors. The spectator is thus allowed to meet the story, which will be presented from many angles during the festival and will provide the opportunity to blend with the body of NEWkus in real time and space.
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NEWkus - Sara and Bara
Wollasch, Sara ; Olivová, Kateřina (referee) ; Klodová, Lenka (advisor)
The bachelor's thesis presents a series of events of the artistic duo NEWkus. Artistic duo NEWkus deals with transformation of relationships and solid definition of the concept of a NEWkus’s body. It copes with the isolation which was caused by the coronavirus pandemic and with the apathy caused by the monotonous lifestyle in an enclosed space with still the same person and the impossibility of meeting within the duo NEWkus. Thanks to our series of events in the home environment, the group is aware of its own existence on a much wider scale, it finds that it is not only two-member, that its structure is more extensive. The series of realized events is built on the border of social and artistic experiment and intimate realism. The whole experience is screened in a single space, as part of a festival called Dny NEWkusu (The NEWkus Days). The space consists of an object inspired by a screen,which inner surface is adapted to the image and needs of both authors..The spectator is thus allowed to meet the story that will be presented from many points of views during the festival and thus provide an opportunity to mingle with the body of NEWkus in real time and space.
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